Franz Güde Solingen Serie ALPHA mit Faßeichenholzgriffen Brotm. Franz Güde

Franz Güde Solingen Serie ALPHA mit Faßeichenholzgriffen Brotm. Franz Güde

Marsoni

M251S

$112.00

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Franz Güde Solingen Serie ALPHA mit Faßeichenholzgriffen Brotm. Franz GüdeFranz Gde Solingen Brotmesser Serie ALPHA mit Faeichenholzgriffen Klingenlnge 32 cm Aus einem Stck handgeschmiedete Klinge aus Chrom Vanadium Molybdn Messerstahl. Weiterverarbeitet in ber 40 manuellen Arbeitsgngen. Optimal ausbalanciert und handgeschrft. Die feinpolierten Griffschalen bestehen aus dem Eichenholz ber 80 Jahre alter Weinfsser, welches durch die lange Reife nahezu unverwstlich geworden ist. Das Brotmesser Franz Gde ist das Brotmesser.

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Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.

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Reviewed in the United States on April 21, 2002

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Silvia

Waukegan, US

★★★★★ 4

Four Stars

Format: Paperback

took a little longer than I expected but overall good quality for a used book .

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Reviewed in the United States on September 24, 2014

R. H. White

Phoenix, US

★★★★★ 4

Unblinking portrait of a childhood in the Jim Crow South

Format: Paperback

Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.

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Reviewed in the United States on February 26, 2000